Work

1st Thessaloniki International Greek-Diaspora Symposium

  • Thessaloniki, Greece
  • 2017

The Symposium constitutes the first public presentation of the Greek Diaspora and Immigration Research Program. Operating under the auspices of the Institute of International Education, USA and the FULBRIGHT Foundation, the program is funded by the Stavros Niarchos Foundation. Responsible for the organization of Symposium was DRIMMI “initiative”, an interdisciplinary body of individuals from Greece and abroad, a critical nexus for research on Greek Immigration, Diaspora and the Refuge, that largely aims at promoting discussion and cross-fertilization within and outside academia. The members of DRIMMI contribute to its aims by increasing public understanding on Greek migration, past and present.

anahatayoga.gr

  • Thessaloniki, Greece
  • 2016

Anahata Yoga Studio is a place dedicated to the holistic approach of yoga, offering courses for all levels from trained teachers. Our objective was to design a website, in which will be displayed both the philosophy and identity of the studio, and all the activities and services provided. Therefore, we created along with the majestic team of Stonewave, a set of flexible presentation systems to communicate information and enhance the visual experience. The design follows the basic elements of the branding of Anahata Yoga Studio and offers a simple and friendly way to navigate the user through the site.

Anahata Yoga Studio

  • Thessaloniki, Greece
  • 2016

We were asked to design redesign the whole branding of Anahata Yoga Studio, a place dedicated to the holistic approach of yoga. The central idea of the approach was to develop a visual identity, which will be inspired by the profound and essential culture of yoga and not by the trivial iconography and conventional elements that accompany it. Therefore, we designed a straightforward and flexible visual language of symbols, geometric motifs and lettering which reformulate a new narrative around the culture of yoga, whilst covering the promotion and communication needs of the studio.

Ancient DNA

  • Thessaloniki, Greece
  • 2015

A window to the past and future

The intention of the exhibition was to create a narrative environment in which the visitor, experiences the complex time-consuming and difficult process of the analysis of ancient DNA.

Visitors during the tour between the sections of the exhibition have the opportunity to see, read, listen and interact with the collection, sometimes through the eyes of the scientist at a given moment of the process, sometimes by simply observing the process.

Archive of Curiosities

  • Thessaloniki, Greece
  • 2014

The study is the participation after invitation in the architectural workshop entitled MC REDUX and involves the redesign of an abandoned pavilion in the new waterfront of Thessaloniki. The design concept proposes a deposite –memory archive, where the citizens can put away personal items destined for future generations of residents of the city. The archive extends underneath the current structure -which- according to the proposal, operates as an entrance to the archive and an outdoor shelter along the coast.

Fragile Balloon

  • Thessaloniki, Greece
  • 2014

Fragile Balloon is the alias of George Kontogiannidis, an experimental electronic musician based in Greece, για τον οποίο και κληθήκαμε να σχεδιάσουμε ένα λογότυπο. Στόχος μας ήταν η δημιουργία ενός εύληπτου και αναγνωρίσιμου λογοτύπου ο οποίος να εκφράζει την φιλοσοφία και την αισθητική του έργου του καλλιτέχνη. Το νέο λογότυπο προσπαθεί να αποδώσει την γνώριμη σε όλους φόρμα ενός μπαλονιού, και να τονίσει το στοιχείο της ευθραυστότητας μέσα από τη χρήση της τυπογραφίας.

Lamprophonies

  • Thessaloniki, Greece
  • 2014

Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.